01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) BY MRNKA YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 01. YUGEN. 01. YUGEN. Capt. R.: (recorded on the C.A.M.) "For Pianohead. i) Capt. R.: 'Oh no. I'd like to design an irresolute formless disposition of my opening moves.' She didn't reply. I am a pretty man. I am a good man, + yet somehow my cold sweat was running down my arms in one-by-one small circle beads, falling occasionally to the white floor below the white light. I was just hopelessly heart-broken by my best-ever girl + business associate. Just this morning I had arrived after a 20 year absence- I had exceeded expectations. Disquieting the stillness the whiteness. Pianohead: 'We recognized a correspondence between certain aesthetic developments + the disappearances so we set about to exterminate all the excessive prettinesses from the world.' The warm + clammy point of her eyes had a bored distracted aspect, + from it I could feel the plastic wonderment of the moving-on. Or maybe not. This unwelcome image." 02. YUGEN. Capt. R.: (recorded on the C.A.M.) "How deep? Was I falling? Little hope of that. Several pivotal scenes images concrete + weightless (where an epidemic of disappearances had threatened to overtake the world + our questionable efforts to prevent it had ensued) entered in my cerebral cortex. This eye (the lt. sibling of a slightly darker blue) was passed down to me in recessive genes- it was last seen calculating in old Hushimoro's deep sockets. They sat beneath Hushimoro's heavy lids at the sparsely attended open casket a century prior, + these arliga bla ogon slipped under 5 generations of world-beaters before bursting forth once again in full splendor- in my own deep sockets, on my first birthday. Glorious. I am not an underground man. I have not attacked the foundations + have instead operated out in the open hidden in plain sight. For all my mistake-prone weaknesses this is not a reversionist report. Man vs. Himself." 03. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R./ The DeOOOOfucked in a Manganese Blue Cadmium Red White uniform is attached to a White polymeratomic mechanical chair in a White room. The White blank-masked head-piece wired to the chair covers his face, strapped tight around his head + 5-circled Oh-So-Carbonaceous Black short-cropped hair. O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 04. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'Beautiful + simple. The shortness of their O Os, + the wind!'/ Captain R. stands looking over the fallen body of The Uramaki w/ sympathetic eyes on the White cement of The Snowy Fields in his Blue Red White Yamabushi equipage w/, in bold lettering across the White of his chest in Black, "I" + in Red Permanent Red a HEART + in Black "THE ROCKS." Captain R., in White, Black-outlined uniform w/ Blue + Red stripes against White, stands on the crest of the recently vanquished battle watching the snow fall, his face ½-covered by the large circle Black eye-goggles. He turns up an umbrella w/ Blue Red White vertical stripes to protect himself from the White drapery: O O O O O O O O11. O O O O O O O O3. O O O O O O O O2. O O O O O O O O12. O O O O O O O O1. O O O O O O O O12. O O O O O O O O13." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 05. YUGEN. Capt. R.: (recorded on the C.A.M.) "O O O O O O O O O O O O O O O O O O4. O O O O O O O O3. O O O O O O O O5. O O O O O O O O9. O O O O O O O O7. O O O O O O O O O O O O O10. O O O O O O O O O O O O O13. O O O O O O O O O O O O O10. O O O O O O O O5./ O O O O O O O O8. O O O O O O O O2. O O O O O O O O7. O O O O O O O O9. O O O O O O O O13. O O O O O O O O O O O O O2. O O O O O O O O3. O O O O O O O O11. O O O O O O O O6. O O O O O O O O6. O O O O O O O O5. O O O O O O O O11. O O O O O O O O8. O O O O O O O O1. O O O O O O O O11. O O O O O O O O13. O O O O O O O O O O O O O10. O O O O O O O O8. O O O O O O O O4. O O O O O O O O1. O O O O O O O O2. . O O O O O O O O9. O O O O O O O O O O O O O8. O O O O O O O O O O O O O1. O O O O O O O O O O O O O10. O O O O O O O O4. O O O O O O O O10. O O O O O O O O4. O O O O O O O O4. fin." 06. YUGEN. Capt. R.: (recorded on the C.A.M.) "Tightly gripping hands, I assumed that my blood was running w/ ever-more rapidissmo thru my veins thru my quickly pumping heart-muscle + would fill the inside of my body w/ enough strength for the day. Pianohead cuddles herself in her white billowing dress w/ her bare pale arms, a look of grim distrust fixed upon her lips. There was indeed a sense, at that time, that desperation was needed + perhaps it was. The weather report had promised clear skies thru the end of this week. Cold calmness had effused outwards into my limbs- an accidental blink now would magnify the problem. Pianohead: 'The program of The Maenads was unrivaled in the purely expressive power of its composition. It quickly gave rise to a whole school of Cholinolytics revolving around its central premise but not one of these inimical devotees was able to match The Maenads' unique intensity.'" 07.YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R./ The DeOOOOfucked. Irrevocably lost in a time of troubles our hero defiantly conquests the realms of the unreal, challenging in his endeavors the hopeless domination of the O O O Os from the inside, while his claims that O O O O O O O O O O O O O O O O O O O O go unheard, unnoticed, unattended. Inspector X./ The Man W/out A Face, his White plastic mask + plastic robage bulbous + misshapen on his large body, + Dr. P./ Alice Underground (AKA TWWLC) conduct the psychological experiments upon Captain R. to determine whether he is fit to occupy a position in the maintenance of the defense. Captain R. is a fucking wreck, ½-monk ½-mercenary, lip hanging from mouth w/ the weight of his humorously contrived despair, piercing vicariously the White walls of The Interpellation Room spitting at the imaginary flies that follow him." 08. YUGEN. Capt. R.: (recorded on the C.A.M.) "The Interpellation Room has 5 metal optic tubes attached to the ceiling from which Captain R. is watched by The 5 Agents./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 09. YUGEN. Capt. R.: (recorded on the C.A.M.) "The growing bulbous image of Pianohead in my head must've been so physically close to the very neurons firing those calm blinking thoughts that I suspect they rerouted defused some key revolutions I might otherwise have had. I want to give people faith again in the big battle. I will lead it personally. Fixed in my memory-image forever is Pianohead in a white fake fur coat hood pulled over her head w/ the white snow falling + her dark dark sleep-deprived eyes. Feeling like joyous simulation was absent. But Pianohead's gaze inimical upon me her dark dark eyes. In The Radiotherapy Room. It was unclear what was to be destroyed. These wonder wonder margaritas I have acquired. The moment memorable for suspense rather than presence, sheer immobility chaotic effect. How would I ever find which sections had been neatly sliced out, now gone forever? The stiff gray tissue." 10. YUGEN. Capt. R.: (recorded on the C.A.M.) "The White light cold + almost weightless. You bring a vision of the O O O O. Of the O O O Os. Silent. Not realizing for a moment what it is. The White sheets of the bed. Supple lips closed plumply together, not quite as prettily as intended, but burdened both realistically + accurately w/ a weight more burdensome than bereaved. + he knows in advance, the fucker, + this is what keeps him closed up tightly against himself. The Negative Creep in White tightly molded plastic armor w/ Black outline + a single Black circle over one breast, face covered by Weak Cobalt Turquoise + Medium Pink bird-+-O O O O patterned White rubber mask + his 3-protrusioned head, not so much weary as gaunt, weakened by the pursuit of his own coming monadic disappearance- which he believes in, recognizing it as a pattern imbued w/ more potential for fame + glory than he, on his own, could ever hope to achieve." 11. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'Certainly once a temporal intension has occurred it cannot be altered or undone but time is multi-dimensional along a complex of various monadic currents. Temporal extensions, therefore, are continuously changing form. The Monadic Engine enables monadic cause-effect reversal/ manipulation.'/ Dr. P./ Alice Underground wears a White plastic dress w/ Oh-So-Pink circles/ White + Black inked tight-lipped mask. She is an inventor wary of the implications of set theoretical consciousness. Dr. P.'s head is bound by 9 White uniquely placed polymeratomic O O O Os. She is retired from her days as an engineer + is now a maker of cakes./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 12. YUGEN. Capt. R.: (recorded on the C.A.M.) "The miniature white-painted iron dinnerette table w/ white indigo medium pink qingbai weak cobalt blue pattern ceramic covering was set w/ the following: a O O O O of 14 white fake O O O Os in glass, a white ceramic ewer, glass dishware, a ½-drunk bottle of champagne, a glass ashtray w/ a few embered ashes. W3: 'Yes, well, I'd like to fuck your brains out. But maybe that isn't going to work out.' I had gone to the weathermen because Dr. Q., dominant center of The O. District for so long, had died. The first superstar in modern information theory. A mathematician w/ ideas so big + so dominant that rules were changed in an effort to handcuff him. He died at a rehabilitation center in The Enjudo Mountains. He grew up self-conscious + self-doubting unlike latter-day progeny but thru relentless hard work he became The Institute's paramount developer." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 13. YUGEN. Capt. R.: (recorded on the C.A.M.) "O.: 'Erg. Erna Omarsdottire. W. Grazhoppa. Helvitis M. Johan-Motherfucker. The Former King I.D. 65. Kippi Kaninus. Ik Throat. Nuuk Posse. Olga Chonka. Peter Ver. Risson. Slowblow. Stafrann Hakon. Taima. NK-OF-ON.' (etc.)/ On The White Snowy Fields guts, organs, + various body parts strewn everywhere. Captain R. + The Negative Creep reside on a large expanse of White cement which appears as if it was once the grand foyer of a dominant district. On the White cement is an elaborate, clunky mechanical apparatus that looks kind of like a Medium Gray + Black fish except w/ mechanical levers visible in gashes to its fleshy body, meters + gears, + 4 holes at the top which had blown monadic air-stream. Charts + diagrams could describe it better. Captain R. hands a new White porcelain miniature bottle of tea to O. w/ its delicious delicate calming properties imbued." 14. YUGEN. Capt. R.: (recorded on the C.A.M.) "The 4 PGOB+G wait patiently 20 m. away from our 2 weary participants. The Uramaki, which undergoes imitation-nirodha + disappears but whose initial support is absolutely essential, being a well-fixed immobile transformation stage, a double-bodied monster of Dr. M.'s system of which this is the 2nd to go down in defeat, is covered O O-x-O O-x-O O-x-O O-x-O O oh-so-slowly w/ White snow. Underneath The Snowy Fields in which they converse runs an extensive system of underground pipes. The pipes open up eventually into The White Rooms (1-500) via large boilers connected immediately w/ The Monadic Engine. Captain R.'s supple lips display no emotion. Anguish sits gently in the mind's throne, w/ The Birds of Super-Reversionism + the tragic proud landscapes which collapse around them + Captain R., who is missing the tip of his small rt.-hand finger, looks as if in surprise at the White snow." 15. YUGEN. Capt. R.: (recorded on the C.A.M.) "The controls set up in The Ice Fields continuously grow + change, breaks down/off/ White-Oh-So-Pink-Pthalo-Blue-patterned plastic armor, white plastic head-piece w/ 4 stubs + mask w/ black-line facial features/ fuck them all/ Mrs. Oryoki II, of course, in this one repose/ demanding a detailed process of planning, implementation, + review. Capt. R./ works directly under Y., who has, for intents + purposes, commandeered the project/ though to call him big-headed would be- (?)- ironic?/ the monadic push/pull/ she saw that The deFormities would make it less an issue of remorse than of repercussion/ the clear polymeratomic chair/ expectation/ silence/ unless 5 umbrellas are enough protection/ ii) P.I: 'Everything billowing/ all-consuming/ oh-!/ the white snow, where in winter we wait, brings me to everything everything + for operatic dues to pay this is the all-consuming." 16. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R./ his white body sits in the white chair/ the clear plastic eyepieces w/out moving/ Capt. R./ The Institute of The Defense/ his clear helmet attached to his head w/ 5 stubs/ brightness/ for Chorus- The oratorio, The O O O O O O's Plaintive Cries, Op. 135 (28512), A Song of Penitence, Op. 1093 (13512), for chorus, orchestra, + organ/ THE WHITE ROOM/ post me again/ get your skirts up/ park + ride/ */ kill me w/ cuteness/ my darling/ my darling/ where in winter we wait for everything to fall down upon us + over everything/ oh-my-god-!'/ K.-Mitsu: 'There is too much of it now. I am not a mathematician. The coordinates will order themselves of their own accord, w/out my assistance.'/ (0/_) O O O O O O O O O O O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O O O O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O O O O O O." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 17. YUGEN. Capt. R.: (recorded on the C.A.M.) "He was 80. It was the weathermen who sent me to Inspector H. to the attack of the monsters to The Snowy Fields to The Ryojusen to Pianohead's well-reported pretty image. My eyes had never before experienced anything so machine-refined, so flawless, as this one debutante visitation. I tried not to move. When I inhaled, I could feel the blood in my head crashing + crashing like waves. Breathe shallowly. The only regret I felt was the awareness that the regret would come tumbling in fairly soon. Any moment now. Pianohead. Pianohead brings w/ her a confidence that the end-result will be somewhere in between her hopes + her worst self-degrading + decadent fears. So instead she sits w/ poised decorum. The white fucking multi-OOOOOed O O O O so fake fake white. Like the queen of her own civilian administration. Brace yourself- (pause)- for tragedy." 18. YUGEN. Capt. R.: (recorded on the C.A.M.) "The Weatherman10: 'When the genetically altered fruit fly was released into the observation chamber, it did what these breeders tend to do. It pursued a waiting female. It gently tapped the girl w/ its leg, played w/ her, +, only then, dared to lick her- all part of a standard fruit fly seduction. The observing scientist looked w/ disbelief at the show, for the suitor in this case was not a male, but a female that researchers had artificially endowed w/ a single male-type gene.' + such would I soon pursue. But not yet. What a fake landscape I was now walking w/in. I would have a few awkward moments of reflection + awareness, + then what? Let the girl be. It was now certain that the Furies had been sent by Dr. M. in pursuit of Pianohead. I knew the man, good old Dr. M., my former coordinator. Maybe I knew him too well. Sometimes 2 good men could disagree couldn't they?" 19. YUGEN. Capt. R.: (recorded on the C.A.M.) "It didn't automatically make one of them bad. Whatever the exact reasons of this movement I could rest easy that were my passive attention diverted the tension would excite + confound. W/ one hand on hip + dark glowering eyes fixed at the white wall opposite Pianohead. She, w/ tight-lipped near-smile picked at her hands. Her dress hung on her w/ somehow just too much billowing air. The curving decorative miniature table. Her huge 3-circled black wig. One could argue indefinitely concerning the ethical ramifications. My lips push against one another. The Ryojusen has changed little. The quiet the calm the waiting. Cultivated to a degree par excellence. Dr. M.-. Capt. R.: 'I understand that you would like to forget, ...but he has not forgotten. ' Capt. R.: 'He has sent out his Furies, w/ instructions to find you + bring you back to him.' Pianohead: '20 years.'" 20. YUGEN. Capt. R.: (recorded on the C.A.M.) "I did something odd. My hand fumbled into one of my uniform pockets, flipped switches on the C.A.M. II + began to record our conversation: Pianohead unnoticing I assumed. Hopefully the combination of the quiet hum of the air-conditioning + the muffled barrier of the Yamabushi equipage would not prevent an intelligible recording. The C.A.M. remained in my pocket. Rubber-fabric softness, + bloody blood blood of Dr. M.'s monsters, my compatriots, + myself. O.: (in The Snowy Fields looking at the fallen body of The Uramaki) 'What an unfortunate thing to happen.' Capt. R.: 'Inspector X.'s plan works out nicely. Why were you in The A. District?' Pianohead: 'Shortly after the arrest I returned to The A. that's where I found Inspector X. He was wiping dish-rags off plates in payment to a little café-owner who had done him a favor.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 21. YUGEN. Capt. R.: (recorded on the C.A.M.) "P.IV, I thought, might provide more interesting discourse. She has concerned herself w/ the proposed WFA Station movement. Its planners say there is much more at stake for the region as a whole. They've proposed restoring the dilapidated operations ground, at the west end of The White Bird Fields, to its pre-War of The Monads wonderment. The armory, a park-like setting on the edge of The Hyperbaric Ocean, would be used for operationalist investigations. Dr. L.: 'It will provide a catalyst to get new facilities rebuilt + the still-extant ones' upkeep improved. Given the numbers of monadic currents focusing on this region there is a built-in cause-effect potential. But we currently lack adequate facilities for the operations.' P.IV jokes about her own involvement, 'In the N. District they built so many factories that are underutilized today. The problem is commonplace.'" 22. YUGEN. Capt. R.: (recorded on the C.A.M.) "P.IV: 'I don't know how we escape the same fate.' + then she laughed in my face bellowishly like a hirsute madwoman. P.I as she unceremoniously exited me from the room touched her rt. hand to her rt. breast pushing against the white dress fabric mouth slightly open. The bitch. Her huge black fake hair. The décor. The posh delicate refinery. It must've been a bloody chado dress. My eyes met directly w/ drafts that floated down from the vents. I touched her shoulder making my absence. I was cold, the fabric felt dry + unclean. How many worthless men have soiled this dress? Don't tell me, Pianohead, it's a bloody chado dress. Sure enough. First thing I should have noticed. Rider back. My cup of tea sits unfinished on the white mini-table. My intent had been to gurpinder her. Fuck. The door shuts firmly. Her prussian blue hairs against her white skin. Pianohead: 'Goodbye now.'" 23. YUGEN. Capt. R.: (recorded on the C.A.M.) "(0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ Chamber Music- A Violin Sonata in C Minor, 4 Wine-Drinkers for violin, cello + piano, Meditations of Nursery Rhymes, Op. 114, for piano w/ violin ad libitum/ (Rin-zai-roku)/ minute reflection/ THE WHITE ROOM. (18)/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ Mrs. Oryoki: 'There was a time when you would bring me pretty little cakes. Once upon this time we were able to form certain resolutions. Collections of entities.'" 24. YUGEN. Capt. R.: (recorded on the C.A.M.) "Captain R. lets his hands rest on his Blue Red White uniformed legs looking intently at the delicate-formed aged/weary facial features of Pianohead. They sit beside a miniature White-painted iron table. Captain R. + Pianohead are drinking large White-w/-Black-line-O O O O-pattern porcelain cups of tea. For no apparent reason Pianohead is clothed in a stark fucking White billowing dress/ huge Black 3-circled wig./ Pianohead: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." Capt. R.: " O O O O O O O O O O O O O O O O O O O O O O O O.'/ Pianohead: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 25. YUGEN. Capt. R.: (recorded on the C.A.M.) "Pianohead: 'We recognized a correspondence between certain aesthetic developments + the disappearances so we set about to exterminate all the excessive prettinesses from the world. We operated out of the refurbished underground hallways of a broken-down abandoned dance-hall building in a far corner of The Fields of Ambiguity. They're everywhere there. You'll come to one sooner or later. Really beat the fuck up + I like them like that for some reason. Gives you a place to sit in the shade for a bit + you can kind of hide from the sun or whatever it is. Nobody's out there. Every once in a while an old man with a couple of other old men just sitting around, cultivating a quiet living in tight communities, + they have nothing to do but be wise + suspicious because they're perfectly aware that there is decay setting in all around them + within them. They'd love to legalize frostitution, of course.'" 26. YUGEN. Capt. R.: (recorded on the C.A.M.) "Swollen dark-eyed/ big pursed lips/ her black-line facial featured mask in pose of careful contemplation/ off to the side, looked at us impassively for a while/ into the empty stillness of the white room/ quiet/ distant/ K.-Mitsu w/ 2-mini-circled black hair pale lips/ fall to the ground/ The White Room/ 9 m. in height, black mini-whiskers on upper lip + chin, in clear rubber poncho white medium pink super-red mint green/ clear rubber mask/ he tried to pretend to ignore her/ i) P.I: 'Kill me w/ cuteness, Gushamoto/ again. Oh-my-god-!' (under her breath) 'the white snow brings me-/ over + over again/ */ all-consuming/ a wall-less house in The Kaon! Mtns./ over-viewed/ breaking open toward the sloping mountain contours/ Mrs. Oryoki II grimaces/ the white floor/ the rounded walls/ Capt. R./ The DeOOOOfucked w/ 5-circled black hair/ The white light's persistent glare/ white." 27. YUGEN. Capt. R.: (recorded on the C.A.M.) "Pianohead: 'The program of The Maenads was unrivaled in the purely expressive power of its composition. It quickly gave rise to a whole school of Cholinolytics revolving around its central premise but not one of these inimical devotees was able to match The Maenads' unique intensity. But it did lead to important progress eventually, just not thru the avenue of the imitators but rather through initiators like C. + J. who took from it the idea that whatever slows down the ebullience of the nirodhic dispersion can be considered an effective stop-gap measure.'/ Captain R. kneels in Blue Red White Yamabushi equipage in a tea-room of The Ryojusen head slightly bowed, before Pianohead/ formerly Princess Unruly Hair./ Pianohead: 'How did you come here?'/ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 28. YUGEN. Capt. R.: (recorded on the C.A.M.) "Clear plastic helmet/ light-reflecting chair/ maybe I should have recognized her from somewhere/ instead of crying about it/ a cold front from The Snowy Fields would be coming in, perhaps bringing w/ it snow/ where in the winter we wait/ hopeful, + cold/ */ brilliant like diamonds/ oh-!/ over + over again/ big/ fill me up/ lift me over/ skirts filled up/ billowing/ flying now all-consuming-.'/ The Kaon! Mntns pound us w/ their ice-formed powerful glistening image/ reflected whitelight everywhere/ puncuated by oblivion/ great sweeping changes in altitude/ makes it hard for you to breath/ but that's not important now/ K.-Mitsu.: 'Tremulant misdelivery. Outside of my perspective, too much.'/ Mrs. Oryoki: 'The Hachibushu were after contentment + peace, a powerful reconstruction of the world, but now what? You are distant + cold, caught up in minutae of reversion.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 29. YUGEN. Capt. R.: (recorded on the C.A.M.) "Rule #5: The Sisyphus Theorem. Dr. M. posed The Sisyphus Theorem as a reply to the three antinomies which in various forms threatened the existence of the mathematics of implosion. The Accursed Questions (Insolubilia): i) a) If an existent were infinitely divisible, no contradiction should arise from the supposition that it has been divided exhaustively. b) But an exhaustive division would resolve the existent into elements of zero extension. This is impossible, for c) no extensive magnitude could consist of extensionless elements./ ii) Is F true where F is a propositional function of the form 'not F'?/ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 30. YUGEN. Capt. R.: (recorded on the C.A.M.) "Mrs. Oryoki: 'I hold myself safe in this far far place, frozen in careful unbirthed entropy. There goes the wind.'/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ Insp. X./ Capt. R./ graceful androgynous body/ delicate eyes/ calm expectation/ the coldly burning white light behind The DeOOOOfucked in the white chair frames his black hair in exaggerated contrast bold dark outline + he stares w/out resonance at Insp. X. in calm expectation/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room." 31. YUGEN. Capt. R.: (recorded on the C.A.M.) "Et cetera, et cetera, et cetera, until we wearily arrive at XI: 3? (W,W,W) / (W,W,W) / (W,W,W) ;XI/10; corresponding, or so we would like to imagine, with: (1/3)*O / (1/3)*O / (1/3)*O such that we have flawlessly divided our initial orange among the Arrays, except that quite inconveniently we have left over this one remaining decimalion: (W) consisting of merely one ur-istic wedge, infinitesimal + indivisible as such./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 32. YUGEN. Capt. R.: (recorded on the C.A.M.) "His rt. hand raised toward her as if in supplication. Seated in large billowing White ornate + delicately formed dress + w/ hugely sculpted high Black wig, her rt. hand rests on the edge of an iron chair./ Capt. R.: 'Inspector X. has come up with one of these ridiculous god-damn conspiracies that don't even make sense to him let alone his co-conspirators. I've never even understood the differences he has with Dr. M. They always struck me as being so much alike. I think it dates back mainly to that incident in The 4 + B. Machineries Factory when they were both still in the 1st stages of training for The Institute of Defense. Even though Mr. I. was really more to blame than anyone + neither of them holds a grudge against him. How did you meet the Inspector?'/ Pianohead: 'At the merchant galley where the smugglers used to hang out.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 33. YUGEN. Capt. R.: (recorded on the C.A.M.) "Pianohead: 'I knew a guy there, this old worn-out retired gangster from one of the yautias who made a fortune off the X.t racket in The City of Competitive Vertigo. I asked him to introduce us. He was an interesting character. Always telling stories about his adventures.'/ Capt. R.: 'He doesn't think much of the H. Interloper, why is that?'/ Pianohead: 'The gangsters never do, + I think he picked up a lot of their mode of thinking just from hanging about with them a bit too much. I mean, I don't know how much you've interacted with them, they kind of keep to themselves, but they always put off this attitude of having been wronged somehow, + that's what fuels them, pushes them forward, even though it's clearly just in their heads. Inspector X. has his own miasmas to concern himself with, but still he's not entirely above getting hit over the head with a way out, on occasion.'" 34. YUGEN. Capt. R.: (recorded on the C.A.M.) "From this the oh-so-bold advisers determined the derivation such that D, the number of Ur-units of The Mini-BwO.s per Array, was of equipotence to the log(10) of I, the number of Arrays of Mini-BwO.s. With this newly preeminent ordering in hand the messenger was now able to easily go forthwith + find The Ur-unit of The Broken Mini-BwO. Trees + deliver unto him the king's message as to his requested audience: *) 'I understand; too well I understand. Some enemy of mine has called me traitor, + it is to execution that I am summoned before The Throne. Well, there is no help for it. Bring me into The Presence.'/ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 35. YUGEN. Capt. R.: (recorded on the C.A.M.) "Not something to resist against, or so I thought. But Pianohead IV (04SP) took the matter into her own hand. She was an Advanced Technologies Assistant for CGEC. She worked out of a little white office in The Ryojusen crammed w/ metal filing cabinets, desks, equipment. A tiny white ceramic bed shoved in the corner. In the white hallway the first thing I remembered was the C.A.M. The Institute of The Defense guard in weak permanent red uniform w/ weak indigo epaulets. I told the guard to fetch me P.IV. The Soldier: 'She'll come in a minute.' A minute, bah. Who said I had minutes to give? He told me what happened, what I already knew. Who needed those 4 Upasakas, that's why we had many. Those were obviously spares. Despite the somber tone the guard appeared disinterested. Advanced Technologies Office 6. I'll visit her my god-damn self." 36. YUGEN. Capt. R.: (recorded on the C.A.M.) "For the last 20 years the trends have been positive. The Pianoheads, like women elsewhere, were marrying infrequently, + to a growing percentage were involved in productive counter-work. The unpredictabilities of The Plan now threaten to take away those hard-won gains. P.IV had commented to me, w/ no clear indication, 'Now you are going to suffer.' Yum. On occasion CGEC would force his large body into the office, dress her up in medium pink rubber restraints + mask whispering sweet incoherent nothings in her ear, + then beat her coldly + methodically. Her bluish-purple bruised body would ache w/ resonance + cool composed restraint. A window in her office looks out on The Snowy Fields. From what I could observe she never looked out away from her research. One mini-radiometer transmits periodic minimal background music, methodical." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 37. YUGEN. Capt. R.: (recorded on the C.A.M.) "Pianohead: 'I don't understand why you hold a grudge against him. I thought it was kind of strange. Or-, not strange so much as just unexpected. He had to say his piece, though, otherwise it just would have lingered forever. But all that time, from 67 to 78 when the truth finally came out, Inspector X. thought that all the cohorts were coming out with those gossips about his shady past because you were feeding them the information. I talked to Inspector X. about it later.'/ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O/ Capt. R.: 'I'm only interested in the $. Y. offered me 6508 for Dr. M.'s head.'/ Pianohead adjusts her body's position in the White-painted iron chair + her lt. hand is raised w/ palm faced outward. Her face turns away as if in fear. She looks up at the White ceiling + wipes her eyes wearily." 38. YUGEN. Capt. R.: (recorded on the C.A.M.) "5 metal optic tubes attached to the ceiling/ The 5 Agents/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair/ (0/_) O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O/ w/ massive gray clouds forming/ the white walls of The Interpellation Room/ K.-Mitsu shakes his head + frowns/ brusque changes of rhythm/ sudden repetition/ endings/ ranges in its emotional implications from boisterous humor to brooding tragedy/ written in ¾ time/ Scherzi Musicali/ my white sleep/ Capt. R. laughs/ the pretty white plastic of The Bokatsu-House's structure opening out to the careful inward faces of The Kaon! Mtns./ the chair's resolute brilliance/ wailing/ ready for adventures/ send out the Yamabushi/ tea accoutrements/ white porcelain multi-color patterned cups/ pretty semi-OOOOOed cherry trees in close proximity." 39. YUGEN. Capt. R.: (recorded on the C.A.M.) "5 metal optic tubes attached to the ceiling/ The 5 Agents/ iii) P.II: 'Nevermind. The Imitation Chodness brings itself to bear/ over everything/ the white snow/ the winter/ our wintercoats-/ we left them behind/ all-consuming/ flying now +-.'/ iv) Capt. R./ everything she touches turns to diamonds/ it is a clear white-light day + everything is radiant/ vacantly before him in sorrowful expectation/ The M.E.V./ the light circles the interior/ over-repeated/ echoed/ inchoate/ hypoglycemic whiteness/ of the glass in reflected effigy/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O/ (0/_) O O O O O O O O O O O O O : (0/_) O O O O O O O O O O O O O." 40. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'He has sent out his Furies, w/ instructions to find you + bring you back to him.'/ Pianohead: '20 years.'/ Capt. R./ The Defender of The Princess hangs up his hat on a Mars Black painted metal hook attached to the White wall. A Black fake fur multi-gapped close-head hat w/ Black thin chin-tie bow-tied neatly + set against the wall. He takes off his goggles + sets them on the Black side-table by the White door. He walks around surreptitiously to the back of the White room, slipping the C.A.M. II back into his White Yamabushi-equipaged pocket. Beside the White door is a small mechanical control panel which Captain R. eyes carefully, running his hands along the outside to inspect for-./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 41. YUGEN. Capt. R.: (recorded on the C.A.M.) "Yarbois: (from the operating tale) 'I would never have experienced this peace. OK.'/ w/ the greatest 2-bodied horror at its disposal/ difference: predicate/ repetition: tautology/ the new which remains new/ his white body sits in the white chair/ the clear plastic eyepieces w/out moving/ for Chorus- The oratorio, The O O O O O O's Plaintive Cries, Op. 135 (28512), A Song of Penitence, Op. 1093 (13512), for chorus, orchestra, + organ/ THE WHITE ROOM/ as opp. to the established which has always been established, or can only be- (df)/ as opp. to recognition/ everything she touches turns to diamonds/ O O O O O O O O O O O O O O/ ft The Wire-Haired Girl (waits in her bedroom for him dolled-up pretty w/ lipsticked qingbai lips 13-white-stubbed hair little-girl baby-doll dress/ in the mouth)/ future perfect/ perfect future/ mimodramatic/ semi-opaque/ drop beats not chinese vases." 42. YUGEN. Capt. R.: (recorded on the C.A.M.) "Insp. X.: 'They encourage this. They're all for it. Hurrah! Hurrah!'/ 2-heart-beated for disclosure/ when we are finished we will be better for it but damaged/ (Rin-zai-roku)/ minute reflection/ THE WHITE ROOM. (18)/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair/ Insp. X./ Capt. R./ graceful androgynous body/ delicate eyes/ calm expectation/ auto-radiometers(6)/ aspects of the anti-deOOOOfucked/ Capt. R.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'" 43. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R. in white rubber glove touches his stomach/ in black an 'R.' in the middle of his white polymeratomic armored chest/ Capt. R. + P.XIV move thru The Snowy Fields conversing/ The Wire-Haired Girl listens in attentively walking slowly 4m. behind them/ f. Domain; The Birds of Interpretation.1 f. Range; The Birds of Interpretation.2 f./ Capt. R. keeps stumbling over his words nervously, trying to impress her, but P.XIV just walks calmly/ murmuring something occasionally/ white white skin + sleep-deprived eyes/ echoing vacant expression/ in calm expectation/ cold/ weightless/ the clear plastic contours of the chair/ supple lips/ in white padded equipage w/ medium pink oh-so-blue asymmetrical abstract pattern/ white rubber slippers w/ strapping up to her knees/ Inverse; f(-1), such that xfy iff yf(-1)x; (all sets do not necessarily have an inverse)." 44. YUGEN. Capt. R.: (recorded on the C.A.M.) "In the dim/ f: X the mathematical coordination of war Y; a mapping of X into Y; syn. w/ function. Identity function/mapping;/ fall to the ground/ The White Room/ f: X the mathematical coordination of war X; f; y = x; ("x,x":x The Man W/ The Face Of Another X); the diagonal of X. Constant function; (?)/ Capt. R.: 'Shot down + saved by mountain people. That's where I 1st came across it.'/ w/ barely extant black hair/ Insp. X. + Dr. C./ The 14. For Orchestra- Symphony of The Desideratum, Op. 612 (03101), The March of The OOOOs XI, Op.46, w/ chorus + organ (16134), a Piano Concerto, Op. 18 (70138), a Violin Concerto in E Flat, Op. 57/ thoughtful white light of the morning/ Y has a constant element k; billowing black dark gray smoke rises up in multiple growths behind them/ scattered gut-wrenched bodies (14)/ white mucous drenched from vanquished rubber violent beasts." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 45. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R. w/ black-fluid-stained lower rt. white armor, swaggers a bit as he walks, adrenaline still pumping up into his head w/ unrelenting force/ white almost sickly skin/ dark tired empty eyes inert beside which/ wounded grotesque/ imploded/ black hair rises up 5 circles tightly formed from his head/ lips/ Capt. R./ The DeOOOOfucked sits in the clear plastic mechanical chair/ polymeratomic head-piece/ P.XIV w/ 3-circled prussian blue hair bouncing as she walks/ Capt. R.: 'Barely putting together 1 meal after the next, or even 1 foot after the other. So this kid finds me + I'm lying there having visions of bursting white light + dying + all that shit + thinking about how if I'd only joined the protection dept. instead of information services this crap wouldn't be happening + then there's this kid looking at me, maybe 15, with a bunch of sheep or goats, I don't know-.'" 46. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: '-but see, back then the economic complexities were more complex.'/ 5 metal optic tubes attached to the ceiling/ The 5 Agents/ ("x,k":x The Man W/ The Face Of Another X). His horrible loneliness + despair x his joy + celebration(x);. that function which his joy + celebration(x) is of x (?)/ Capt. R.: 'Maybe at that point I even really thought they were rabbits.'/ Funct.X, Y.f; f is a function from X to Y; Capt. R.: 'But they take me to this little hut- 1st he had to go back + get some the men, they were nowhere to be found laboring or-.'/ (formal definition); = (df) f The Ur-units of La Defense X * Y/ brusque changes of rhythm/ sudden repetition/ endings/ ranges in its emotional implications from boisterous humor to brooding tragedy/ written in ¾ time/ Scherzi Musicali/ my white sleep/ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 47. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R. in clear rubber mask over 5-circled oh-so-carbonaceous hair examines the huge white rubber body of Yarbois/ jukkai (lament)/ mukashi (long ago) oi (age)/ shirayuki (white snow)/ furimono (falling phenomenon, snow/frost)/ dhanya/ mini-compartments/ clear plastic/ collected concentrates/ bokan!/ the short stubbles of black hair caressing his gentle head w/ cold fingers/ Megalomartyros/ Capt. R. has been down just recently to the yamiichi for some black market radio parts/ the short stubbles of black hair caressing his gentle head w/ cold fingers/ Megalomartyros/ white padded bumps w/ black circles/ yamaoroshi (the gusts that race down mountain sides)/ into our cold sleep/ our prettied selves/ our own inner core/ sleep/ to make bodied vehicles of us all/ for big horrors/ for counted blessings/ under a white sheet/ the air is still between them/ The White room." 48. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R./ the clear polymeratomic head-piece metal straps from the dull unreflecting helmet/ grotesquerie-reflected glass images/ 5 metal optic/ Capt. R.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ tubes attached to the ceiling/ The 5 Agents/ iv) Capt. R.: 'The contorted ice fields/ the ravine/ the mountain/ against the white white light/ radiant/ pounding the mountain's morning thawed-out water-particled air/ wind-swept beat/ + if awareness? then what?/ + have I cast them out?/ Capt. R. is super-cute/ snow white/ the monasterisation of his very chod-imbued being/anti-hifu/ monogurui." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 49. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R./ big round eyes/ 5-circled oh-so-carbonaceous hair/ head covered by clear rubber mask/ P.XIV w/ head posed as she walks w/ sore kink in her neck/ 1 side of her face scratched up w/ pink + 1 misshapen full-formed bruise blue-purple + grayish/ 3-circled prussian blue hair/ Cap. R.: 'P.XIV, I ever tell you the joke about Big Blue.'/ the clear polymeratomic chair/ expectation/ silence/ Capt. R.: 'So there's this guy out in the middle of nowhere traveling from one town to the next.'/ lips slightly open/ glaring at Capt. R. occasionally/ P.XIV: 'O O.'/ The Interpellation Room echoes w/ the whispers, tendered lightly, promising, too pretty, for delight, of Capt. R. 1 2 3 4 5 6 7 8 9 10 as he sits amidst its white hallways, maze-like constructed depths/ Capt. R.: 'He's got this old worn down horse carrying everything he owns + he's running out of food + water + all that + he's kind of tired.'" 50. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'He comes to this town but it's empty, whoosh. He looks from house to house, + business to business, + there is literally nobody home. So he comes to the local club + he's figuring if anybody's anywhere this is going to be it so he looks inside.'/ playful, slightly afraid, the plastic, sculpted, The Furies w/ misformed protuberances atop their heads remain just out of reach of Capt. R. but they whisper to him w/ quiet horror./ P.XIV: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ Capt. R./ The Institute of The Defense/ his clear helmet attached to his head w/ 5 stubs/ brightness." 51. YUGEN. Capt. R.: (recorded on the C.A.M.) "Oh-ro-badum/ Capt. R. turns to look back at The Wire-Haired Girl, who frowns + pouts as she walks/ white multi-buttoned/ strapped rubber uniform w/ 2-bulbous equipage-pack bulging from her shoulders, white short-13-stubbed wig, dark mispointed eyes/ white rubber slippers/ the air is still between them/ The White room/ Capt. R./ the clear polymeratomic head-piece metal straps from the dull unreflecting helmet/ P.XIV starts busting up hysterically/ quietly/ unable to control herself/ she almost drops her cigarette on the floor/ P.XIV: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ PORTRAIT OF THE DEAD! (X, the Ur-units return to their O O O)/ The Birds of Interpretation.1 R = pr.1.R + The Birds of Interpretation.2 R = pr.2.R; converse relation: yR(-1)x." Capt. R.: 'P.XIV, P.XIV!'/ OK." 52. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R./ The DeOOOOfucked in white multi-padded Yamabushi equipage/ clear rubber mask/ a Piano Concerto, Op. 18 (70138), a Violin Concerto in E Flat, Op. 57/ THE WHITE ROOM. (18)/ the coldly burning white light/ ma-space w/ vibrational repetition/ Capt. R./ The DeOOOOfucked found himself opposed to the assumptions of monadic controls re i) good faith re truth-functions; ii) primacy of the process of recognition; iii) the dominant opposition of error; iv) the propositional model of problem solving/ people are forever referring to their better selves, but Capt. R. would like to meet him, this better Capt. R., + knock him on his sanctimonious pretty-boy disenfeoffed plump little ass/ the 6 cafully placed clear plastic screens/ Capt. R.'s big black round buttons. Insp. X. walks round the operations table/ The Reconstruction(10) Room/ repetition must be opp. to generality." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 53. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'That's not- that- I haven't even got to the punch line yet. Cut it out! Little fucking bitch! You always do this, acting like you're fucking 20 steps ahead. Shit, when you were- when you were doing all that stuff, you didn't even know half of what was going to go down.'/ P.XIV: 'O O O O O O O O O O O O O.'/ P.XIV calms down + looks attentively at Capt. R., shifting the weight of her white rubber mini-pack (+ 2 mini-C.A.M.s attached) + opthalmoscope/ Capt. R./ The Institute of The Defense/ his clear helmet attached to his head w/ 5 stubs/ brightness/ P.XIV: 'O O O O O O O O O.'/ P.XIV: 'I'm sorry, please continue, I won't interrupt. O O O O O O O O O O.'/ Upside Down A x(x The Man W/ The Face Of Another X :=: Backwards E y(y The Man W/ The Face Of Another Y + "x,y"/ w/ everything moving forward toward them forcefully/ the white expanse of The Snowy Fields." 54. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R. has stopped speaking/ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O/ Capt. R./ white polymeratomic multi-segmented armor contouring closely his tired vigorous body/ white rubber gloves/ in Black an 'R.'/ white rubber slippers/ white stockings up to knees/ white manganese blue super-red horizontal-striped/ armored white polymeratomic plates over his thighs/ Capt. R.: 'So, look, just be quiet, I'm trying to explain it to the little wire-haired girl here because you know, she looks up to us- OK? So they take me to this hut + take care of me for a while + all but what they really want to do, once I've recovered a bit, is get me off their hands.'" 55. YUGEN. Capt. R.: (recorded on the C.A.M.) "In Mars Black stenciled letters on the White wall, 'MAN STANDING BY HIS WORD.' Dr. M.'s grayish skin thru the holes resolute, polished behind a White polymeratomic mask w/ 13 Weak Cobalt Blue circles on top + a White rubber overcoat w/ Black buttons, Dr. M. breathes twice, + his hands, grasping, attack the air nervously, + barely extant Black whiskers hang around his upper lip. Dr. M. looks at The Monadic Engine dispassionately w/out the remotest pretense of patience./ The Monadic Engine: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O!'" 56. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M.: 'There won't be enough time for it.'/ Dr. M. laughs quietly./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 57. YUGEN. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'I'm eating their food, sleeping in their beds, making a rather general nuisance of myself but I'm not really so 100% as to be ready to go off on my own in these god-forsaken mountains, + beside I wouldn't really know where to go anyway. P.XIV, wipe that fucking smirk off your face or- or- or I'll wipe it off for you, I'm serious. W/ big fucking violent smooches. Maybe you'd like that dear. Anyway, so the kid walks in + there's nobody there either except behind the counter, putting away all the alcohol + locking it up + what not, is the fucking bartender.'/ inner metal mechanisms held gracefully w/in it gather the feeble vibrations to their gears/ wires/ rivets/ The DeOOOOfucked's wounded eyes behind clear plastic goggles/ Capt. w/ somber lips behind clear rubber mask looks downward at the white cement of The Snowy Fields/ from the future." 58. YUGEN. Capt. R.: (recorded on the C.A.M.) "The undulating contoured white surface of The Snowy Fields surrounds them indefinitely/ billowing black dark gray smoke rises up in multiple growths behind them/ scattered gut-wrenched bodies (14)/ white mucous drenched from vanquished rubber violent beasts/ The Wire-Haired Girl turns up her medium-gray-painted lips in impatience/ behind her white snow falls: O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O/ inner metal mechanisms held gracefully w/in it gather the feeble vibrations to their gears/ wires/ rivets/ The DeOOOOfucked's wounded eyes behind clear plastic goggles/ Capt. R.: 'There's nobody there, + he looks like he's just about getting ready to get out of there about just as quick as he possibly can, his face looking kind of pale + shit. So this man walks up to the bar." 59. YUGEN. Capt. R.: (recorded on the C.A.M.) "C.: 'Commander Petra-Boom.'/ Pianohead's 3-circled prussian blue hair pushes a bit awkwardly to one side/ a groan bursts from Pianohead's breast/ a groan experienced by each of the Pianoheads/ it permeates the 15 pts. of Mr. ?'s existence/ Pianohead's unbearable sadness/ 3 prussian blue hairs pop loose from their tightly bound 3-circled confinement/ 85 monads (via The Monadic Engine) directed thru Pianohead's robotic body explode outward from the center of Insp. X./ Pianohead's white dress/ numb frozen face dotted w/ red blood/ The Middle Way returns in all its glory, everywhere + everything/ one IMCR eye bigger than the other/ 3 pops of red blood plop on the white extending-platform bed/ Static numb + cold/ w/ the cold cold end./ folded white mat/ blanket/ 2 porcelain pillows/ multi-colored circle-patterned wall/ Static numb + cold/ w/ the cold cold end." 60. YUGEN. Capt. R.: (recorded on the C.A.M.) "C.: 'Theoretically speaking + all-'/ my investigations in The M.E.V. were prompted by unexpected inconsistencies in The M. Engine's patterns/ there frozen- the ice formed all around my body/ in perfect stasis/ motionless/ forever/ + ever/ C: 'if you were to drop by The I.E. Building tomorrow at 3:49 am, then maybe-'/ dark ice-formed blue-shaped/ just theoretically/ veri-m./ uh-oh/radiant/ C. + I tap-danced our walking way down the white plastic-formed thru-way/ my big big eyes pounding forward big/ C: 'you might see a couple of guys'/ gucci-gucci/ cute/ Static numb + cold/ w/ the cold cold end./ if you were to slow down/ there, ice-pitched polished/ reflecting the white light/ glaring against us/ the 3-circled prussian blue hair/ Pianohead's imaged gaze/ horror-horror driven/ C.: 'kind of matching the description hanging out there.'/ in our most coy numbed-out poses." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 61. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'" 62. YUGEN. Capt. R.: (recorded on the C.A.M.) "Perhaps no finer cupcakes have I ever partaken of. My head reverberating at such a minute level but high velocity. Captain R. quietly, methodically, tipped over each of the fortifications upon which his ego had been built, + soon he was forced to place himself at the same level as other men, to include himself in a species that he had long written off as nothing but arrogant beasts. He prepared himself for the next switch where he would be forced, beyond his imagination, to come to terms w/ his new existence. He imagined one where he was bound to a white mechanical chair w/ wires + tubes connected to his body. It was a combustible idea, of course. The modern woman as we know her emerged- exasperated in thought, attitude, + looks. In large part created by pioneering designers, many of whom of which little but rotting decaying body parts now remain." 63. YUGEN. Capt. R.: (recorded on the C.A.M.) "The Wire-Haired Girl knocks on the White door w/ her White-stubbed wig in tow. In White Medium Blue mini-coat + White Oh-So-Pink short-shorts she looks pretty much ready to fuck some shit up. Fury3 answers the door + ushers her in w/ the utmost quickness, finger at nose. Once the door is safely closed + they are inside it starts whispering frantically./ Dr. M., on the other hand, is concerned w/ the unlikely prospect of attaining invisibility, hoping that The Furies generously leave him enough time to complete his endeavor. The plastic multi-colored O O O stand in their vases attached to the White wall looking back at him w/ O Os so wise as to convince one that certainly the plastic O O O themselves are singing 'They're coming to take me away, ha ha! They're coming to take me away!'/ Dr. M. keeps looking around everywhere quickly for a while in no particular direction." 64. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 65. YUGEN. Capt. R.: (recorded on the C.A.M.) "In front of IMCR + Pianohead is a long hallway lit by white fluorescent lights attached in weak security to the ceiling by small metal screws White the air's softly clinging dust faded the onslaught. Thru the clear-White-tinted plastic coverings they emit a filtered visibility/ it descends upon them w/ slow pristine refusal. IMCR walks in untenured deliberative meditative silence + deliverance pushing the wheelchair in front of him + its chrome body reflects the light in bitter vibrancy + respect + kindness sculpted by allowed respite./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 66. YUGEN. Capt. R.: (recorded on the C.A.M.) "This was not only about the effete underdog making her way up the ranks. It was something you could do as an outsider. A legitimate career choice. Among their ranks? The flamboyant Okybear, The Ballet Kicker, H., The Wochi Sisters, + the sportif Mrs. X. These forceful designers rejected the non-decorative clothes that had encumbered them. As Mrs. Riopuser declared, 'I have never been able to tolerate poor dress-work on myself. Why should I inflict it on other women.' Oh fuck. Oh fuck. Oh fuck. + fuck-it Shi-gu sat on my head, oh no no no. Big bouffant + empty glasses, nevertheless. Oh-my-fucking-god the part-eaten cake. No no that's not a euphemism. Covered w/ the multi-colored sprinkles + frosting of be-splundered cupcakes. We were fighting w/ the cupcakes as weapons. Frosting + sprinkles covered us. I ran into Mrs. O. The Maenads attack." 67. YUGEN. Capt. R.: (recorded on the C.A.M.) "Grace comes somehow violent. The Imitation Capt. R./ the C.A.M. II/ steps thru the doorway. His gentle Black White uniform torn by iniquity/ rebellion/ closes itself around his body tightly. Drearily disguised by slumber. He enters into the White interior of the room. The Aufbauhaus. Baudelairic O O O sleep soundly. He stands silhouetted in the White doorway. Mourning. Thru the wonders + the vigilance of their patrons. Allowing the light to drift past him w/ its eerie stillness. Departures/ friends. Resilience of empathy quiet-like + barren. Eager to let their hands/ his sober limbs. His delicate image. Bespoken prophets consumed by madness + conquering. Triumphant. Eager to caress his minute Black hair in 5 circles. Child-like eyes. Pale skin/ its cancer. Short nails lightly encumbered + their polished stillness. That linger upon his vacant form. The birds surround him." 68. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 69. YUGEN. Capt. R.: (recorded on the C.A.M.) "When did Ubipo meet Mr. Ibo? When did Mr. Ibo first lay eyes on Ubipo, so that both of them became fused, from a fashion standpoint? I don't know except that they both made their escape together from The Ryojusen, fleeing discordantly from misshaped mayhem evident there, to the waiting bright white lights of The Kaon! Mtns., Ubipo w/ cleavage-bursting weak pthalo blue gown w/ waist-belt flailing about her running body + hand held to her un-securing white hair, where Mr. Ibo, in weak permanent violet + weak barium red-pink suit w/ black string-tie + black mustache black 2-squared hair, w/ good fortune had waiting a white + black waiting FV-VOOM25, 2-seater. Did they escape the fleeing vigilant wrath of The Maenads? I do not know for certain. The Maenads everywhere. Red bloody blood blood. Multi-colored uniforms. The white snow." 70. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M./ 1 of The Former Hachibushu, has performed functions for The Plan under several different names (including Yagamoto, Maido, U., Mr. C., etc.). Most notoriously he recombined + processed the monadic patterns running The Monadic Engine./ Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'" 71. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'/ The Wire-Haired Girl enters the room in White Medium Blue mini-coat + White Oh-So-Pink short-shorts + Black metal-circled belt + bare legs leading down to petite polished Black shoes + her White wig is sculpted into multiple vertically protruding protrusions./ Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'" 72. YUGEN. Capt. R.: (recorded on the C.A.M.) "Resemblance:equivalence; cycles:equalities/ like a cowboy. Big black round buttons/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair/ He grimaces. slowly/ out w/ the output. Out w/ the useless. Pretty soon/ pretty pornography/ generality: (df) the pt. of view by which one term may be substituted for another/ the economic model of exchange/ here we are at the ma-space of the Hachibushu/ (Rin-zai-roku)/ minute reflection/ THE WHITE ROOM. (18)/ Insp. X.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 73. YUGEN. Capt. R.: (recorded on the C.A.M.) "The wires + tubes do not connect him w/ The Monadic Engine, but suck his vitals out to some master, indifferent engine. He challenged the boundaries of his current state by tasting the falling white snow. Unidentifiable. His eyes flicked up every few minutes expecting to see The Ryojusen in huge billowing pop-pop-pop explosions. When that didn't happen he + I followed the sequence of recent events one more time, beginning w/ the previous evening's party + ending here w/ The Maenads' attack. A loud sudden noise, I jerked my head around to see one of the Soldiers on the white cement ground, red blood everywhere, weak permanent red uniformed/ weak indigo epauletted, w/ dark curving rounded stains, 2 Maenads running off the opposite direction. Steam rises visibly up from their bodies. On the edge. The white flecks of snow." 74. YUGEN. Capt. R.: (recorded on the C.A.M.) "Dr. M.: 'O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O. O O O.'" 75. YUGEN. Capt. R.: (recorded on the C.A.M.) "The Wire-Haired Girl: (choking on a laugh) 'Er-kmf-k-. Um. Huh.'/ The Wire-Haired Girl's White wig bounces about happily + would join the conversation if not convinced it might be impolite, social structures + all being what they are. In miniature detail by hands that once promised to trade anything for the chance at refinement, machine-made grace, too perfect for the naked eye to devour hungrily for lunch. Its multiple vertically protruding protrusions point in exact directions at various coordinates of the room, but never, again, OUT OF POLITENESS, quite directly at Dr. M. himself. Seeing Dr. M.'s distress is almost more than the minute + fragmented mind of The Wire-Haired Girl can resist, like O O O O O O O O O O O O O O O O O O O O O O O O O O O O White + plastic against the alcoholic grain, or perhaps in mid-wife colloquialism wisdom/atrophy." 76. YUGEN. Capt. R.: (recorded on the C.A.M.) "Maenad45 + Maenad39 run out of The Ryojusen, Maenad45 w/ one hand around waist of Maenad39 in support, + Maenad39 holds lt. hand against forehead head tilted back weak big medium gray lipsticked lips posed in the comic melodrama of her ridiculous position red red red-fucking blood gushing out of her stomach + Maenad45 gazing sternly at her hand clenched tensely as they run out into The Garden of Immaculate Horror w/ it's rows of white plastic bulbous many-contoured constructions. RetroGuard71 + RetroGuard96 in The Garden of Immaculate Horror flank hostage weak Maenad40 (in white qingbai mint green) + Maenad44 (in white barium red-pink cobalt turquoise). The white light. He racked his head for reasonable excuse which would connect the 2 scenes in believable manner./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 77. YUGEN. Capt. R.: (recorded on the C.A.M.) "The asymptote of possibility, however, along w/ our specific memory to support any proposals, couldn't explain how Captain R. had managed to avoid The Maenads so adroitly, cold + hyperaware in short-short white boy-shorts w/ black buttons, to find himself in The Garden of Immaculate Horror w/ a shotgun + a ½-empty clip of miasma bullets. Black sunglasses somewhere, crushed. He was too weak + drunk/ hung over, head-bouncing headache, to have dropped one of The Maenads, unarmed, to acquire the shotgun + make his way to this corner of The Ryojusen + yet here it was. That's only an example of the many inconsistencies found. + so we sat on a bench of The Garden of Immaculate Horror, + we were the bench we were sitting on, + so we waited, as the ticking moments of time itself, for our own inevitability. Nothing to entertain us." 78. YUGEN. Capt. R.: (recorded on the C.A.M.) "The carnage that next ensues has rarely been witnessed. Cover your bases. Heat stroke. RiboO O O O-born 1st Command Maenad04 holds court over the super-violence in The Ryojusen, having transformed the chic setting of extreme entertaining into an array of options for getting your hot + bothered body strung + quartered. Her motto, 'Fresh moves, smart service.' RetroGuard33 on cold knees w/ faltering breath, uncorked eyes, aims white plastic revolver after Maenad77, + her red blood stains The Ryojusen. The white snow covered us, colder + colder, blood drying caking to the side of our head. We were convinced that it was actually something else, + that something else, once revealed, would be so obvious that we would kick ourselves for not having figured it out on our own. That, or we grow exceedingly tired, drift off into sleep, + never wake up." 79. YUGEN. Capt. R.: (recorded on the C.A.M.) "'Yes, yes,' she imaginatively cries shaking her head intently inside itself, 'I do want you to go! Only not now! Not now-' + stops to sing 'Ah, the machines attack/ fall back fall back.'/ The Wire-Haired Girl: (out loud) 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O?'/ The Wire-Haired Girl's White Medium Blue mini-coat pushing forcefully against the strain of the closed-off buttons + her quickly moving legs push against White Oh-So-Pink short-shorts + bare legs. Her polished Black shoes pound the White floor violently, rushing to the wall's cabinet quickly to retrieve + bring to Dr. M. a glass miniature bottle: PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT PTT…." 80. YUGEN. Capt. R.: (recorded on the C.A.M.) "It's possible that the realization, when it came, would be much worse than this, + that we'd scream + claw at the railings trying to escape the teeth gnashing slow decaying digestion. RetroGuard33 slumped over. I was wearing black rubber slippers at least. I had forgotten. The Mix-Master. General Commander P. got his. Though that could be taken 1 of 2 ways. The Maenads were running about everywhere. Turning the i) prettiness, ii) interiors, iii) food, iv) technology inside-out. The Maenads, exhausted, slowly run their assault to a White-snow-covered stand-still, finding Mrs. O. drenched in her own inner organs but Mr. O. difficult to find. But even as the pace of the assault begins to slow Maenad26, exhausted, at the mental point of over-work where she has ceased to function more than mechanically, finds Mr. O. hiding in a closet + dismembers him." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 02. OPRSM. 01. OPRSM. Capt. R.: (recorded on the C.A.M.) "If I felt lonely out there, though, it didn't show. I could perhaps have been described as being brilliantly energetic in my movements + the slow big force of the investigation pushed me forward. Insp. X.: 'It looks like a pretty theorem to me. How to interact w/ it?' The air spun round me as if it was an unsolvable problem. White. Up w/ the upper lip. Big black buttons. The polished reflected white light. Capt. R.: 'OK, right now you need to line it up w/ another theorem. We have another version coming out soon which will make it self-contained. For now, yes, it does require that you have some other working theorem to map it on to.' Black anti-polymeratomic reflective of the white light. Multi-colored stickers randomly dispersed commemorating past completed adventures. e.g, The Adventures of Capt. R. 102: In which he defeated the traitorous Capt. N./ The Victorious Bird." 02. OPRSM. Capt. R.: (recorded on the C.A.M.) "I pumped it thru the C.A.M. II, a demo I'd set up in advance for this purpose. Thru the C.A.M., transmitting to Inspector X., the theorem would retrieve a map w/ all the locations of the attendant pts. of the monadic currents for a given run-cycle/ to my head unwrapping/ to my head unwrapping- attached to a group that was still undergoing analysis. I punched it out. I waited for Inspector X.'s response. There were still things to be worked out. This was to be expected immediately after launch, but before long it would run more clearly. I had come out into The Snowy Fields to interrogate The M. Monsters. Spinning quietly. Ambushed by The * Monster (a white 6 m. Wildly Laughing Monster w/ cadmium red brilliant pink venetian pink permanent red vertical-striped rubber body) but after a bloody battle I vanquished it. My hand gently to my throat." 03. OPRSM. Capt. R.: (recorded on the C.A.M.) "Captain R. murmurs quietly irritated to himself as he surveys his repairs high high above The Snowy Fields. He adjusts the pneumatic tumbler right away./ Capt. R.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O!'/ throwing caution to the wind, which is blowing somewhat northeasterly, giving caution's trajectory a slight left hook." 03. OPRSM. Capt. R.: (recorded on the C.A.M.) "THE MONADIC ENGINE: (df) Mr. ? discovered that the obtainment + acquiring of strategic plans could be reduced to an equilibrium point for conduct. It is this equilibrium point that the M.s interpret from the mapping. So many couldn't quite pinpoint the accurate course. Mr. ?, though, was an apt pupil of both the outer + inner workings of mathematical structures." 04. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'O O O O O O O O O O O O O O O O O O O O.'/ He makes a fist + shakes it at the machinery only to scratch his minute Black whiskers mysteriously in ganbarre-yo fashion. Closing his mind up into a tubuliforous ball Captain R./ The Defender of The Princess deliberates on whether the current delicacy is OK held close mid-belly to the iron rail by Yamabushi equipage." 04. OPRSM. Capt. R.: (recorded on the C.A.M.) "THE MONADIC ENGINE: (df) He was able to maneuver thru the difficulties that stymied others. In theory his efforts provided the necessary apparatus for the statistical analysis of monadic currents but putting it into practice in a real-time sense required the powerful/quick manipulations which only the subsequent invention of The Monadic Engine made possible." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 05. OPRSM. Capt. R.: (recorded on the C.A.M.) "Convex linear combination (w/ weights). Convex = (df) a subset X of E.n is convex if Upside Down A convex linear combinations of pts. of X it is a pt. of X. Convex hull = (df) of a set X, the intersection of all convex sets of which X is a subset. Theorem of The City of Idioperception: i) If X is any subset of E.n, \ any pt. of the convex hull of X can be represented as a convex linear combination of n+1 pts. of X./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 06. OPRSM. Capt. R.: (recorded on the C.A.M.) "Captain R. flips past on his C.A.M. II 'Cool Thing' + quickly, almost one would say in haste, flips back to it + it paces their slow withdrawal into goodbye conversation. Eventually, after having gone thru 'Sex Dwarf,' '88 Lines about 44 Women,' 'Pure Energy,' 'Enjoy the Silence,' + 'Blue Monday,' Captain R. flips quiet the machine, looking back at a Yellow/ Medium Blue circle-home." 06. OPRSM. Capt. R.: (recorded on the C.A.M.) "THE MONADIC ENGINE: (df) (invention of Mr. I./ The Man Behind The Curtain) Mr. I. is what one would call a mini-mathematician. In addition to designing mechanical calculating apparatus he will, on occasion, compete w/ Dr. M. in the field of constructing monsters, but w/ just a bit too much a sense humor to produce anything w/ complete effectiveness. It is irreversible." 07. OPRSM. Capt. R.: (recorded on the C.A.M.) "The Fuhozo 8./ Insp. X.: 'God, Gushamoto, not another mish-mash of pseudo-philosophical ramblings + unintelligible images. Remember when you used to do those cool light-hearted romp comedies? Those were the shit. What's this crap? It's fucking god-damn beneath you. What about a nice simple western for once? Quid pro Ø.'" 07. OPRSM. Capt. R.: (recorded on the C.A.M.) "THE MONADIC ENGINE: (df) His monsters tend to be imbued more w/ the capability for destruction than w/ the inclination for such, to a degree completely inappropriate, leaving his monsters, once unleashed, in a state of matronistic ennui. His Monadic Engine reflects this tendency, exhibiting certain willful derivations of noise." 08. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'This reminds me of the time we tried to steal The Monadic Engine.'/ Insp. X.: '+ if everything falls apart?'/ Capt. R.: 'I'll do it.'/ Insp. X.: "OK, I will give you the opportunity, but only upon one condition. You must acquire for me The M. Briefcase. I promise it will not end up in the hands of Mrs. Oryoki… " 08. OPRSM. Capt. R.: (recorded on the C.A.M.) "The Wire-Haired Girl: 'Dr. M. told me that he has P.II + there's nothing you can do about it + he is making her do training exercises- I found that out from Dr. M. himself. He was telling me all about it + making jokes even.'/ Pianohead: 'Dr. M. wouldn't do that. He is obsessed with- my obtainment.'/ The Wire-Haired Girl opens the door + exits." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 09. OPRSM. Capt. R.: (recorded on the C.A.M.) "Insp. X.: 'I have my own purposes for it.'/ Captain R. looks far off into the ever closer + closer distance. The minute Black letters dominate the White space of the wall facing them, "MAN STANDING BY HIS WORD." The White walls of the Fuhozo house echo off the sound of the waves of The Hyperbaric Ocean." 09. OPRSM. Capt. R.: (recorded on the C.A.M.) "The door shuts. Pianohead wears a rubber Venetian Pink dress w/ a Strong Orchid Pink mask. She waits, bored, on an iron bench in a room of The Aufbauhaus. The Furies attempt, w/out much success, to convince her that they would only like what is best for her, that which is most conducive to her happiness. + believe it or not they are behaving w/ nothing but candor." 10. OPRSM. Capt. R.: (recorded on the C.A.M.) "(the minimum of its row + the maximum of its column.) (max(i) min(j) a.ij = min(j) max(i) a.ij iff A has a saddle-pt.) (the saddle-pt. is the optimal choice for P.1 + P.2, respectively, + is called the value of the game.) Mixed strategy = (df) an ordered m-tuple (x.1 … x.m) of non-negative real #s satisfying The Wire-Haired Girl Plays In Her Room(m;i=1), the #s being the frequency w/ which P chooses the #s 1,2,…m. (S.m: P.1) (S.n: P.2). Pure Strategy = (df) the consistent choice by P of 1 particular choice./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 11. OPRSM. Capt. R.: (recorded on the C.A.M.) "Inspector X. is a motherfucker but he has connections + Captain R. leans on him once in a while./ Insp. X.: 'Yeah, yeah, just remember-'/ w/ Captain R. not even turning back to look at him looking off away out to The Hyperbaric Ocean distracted by some newly off-kiltered concern./ Insp. X.: 'just remember, that kid was going down whether I participated or not.'" 11. OPRSM. Capt. R.: (recorded on the C.A.M.) "Pianohead: 'No estes che gondelay. We must fight on until we've absolutely achieved the achievement of death to all carpetbaggers. The influx of carpet-baggetry into this world has become a veritable epidemic. If we don't fight it who will?'/ The 2 Strong Orchid Pink Rubber O O O Os topping Pianohead's head-mask watch each other nervously." 12. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'We were dregslickers then. We pursued victory even with our backs to the wall.'/ On The Fuhozo 8 where the inspectors have established a community of refuge Captain R. visits Inspector X. at his home. Their bodies bounce slightly w/ the crash of the waves./ Insp. X.: 'Yes, we were foolish + reckless then, too.'" 12. OPRSM. Capt. R.: (recorded on the C.A.M.) "Aware comprehensively that the accorded upon distance between them is much too close for both comfort + good breeding. Pianohead w/ 1 leg folded over the other, the large skirts of her rubber Venetian Pink dress encompassing her oh-so-dazed-+-confused body, Strong Orchid Pink rubber mask framing her eyes so that she looks somewhat circumspect." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 13. OPRSM. Capt. R.: (recorded on the C.A.M.) "I tracked down 20 of The M. Monsters + interrogated them about The Negative Creep + Dr. M. I found The Winter Monster roaming about a rocky stretch of steppes at the far eastern edge of The Snowy Fields. The monster at first did not notice my approach, absorbed in poking about thru the wreckage of a transport vehicle. In black block letters 'RESURRECTION.' Yarbois/ The Winter Monster is a white rubber humanoid 9 m. in height w/ a 5-circled head, a large mouth w/ gruesome fanged teeth, a large asymmetric nose, + small squinty weak gray eyes. I stood against it w/ hands on the hips of my white Yamabushi uniform, head cocked. The Winter Monster: '+ how many investigators are out here, gathering information?' Approximately 24. The Winter Monster: '+ it all starts here, right? In this abandoned corner of The Snowy Fields. I've never seen anything quite like it.'" 14. OPRSM. Capt. R.: (recorded on the C.A.M.) "A. B. D. F. D. S. G. C. M. V. M. W.-H. J. Y. Z.-M. Rowdy rowdy they all fall down. Captain R. smiles. They stand at the end of an iron pier extending distantly out from Inspector X.'s Cobalt Yellow plastic sphere-shaped house w/ Medium Blue trim. Captain R.'s Blue Red White Yamabushi equipage braces itself against the minute dotting extracts of the crashing waves." 14. OPRSM. Capt. R.: (recorded on the C.A.M.) "Pianohead tears the eyeglasses from her eyes turning pink around their edges intensely focused, + 2 flies rest diligently on a wall behind her, her left cheek pushing outward against her Black circle beauty-mark./ Pianohead pulls her Strong Orchid Pink plastic O O O O head-piece tightly against her head. It was imported from The C. District." 15. OPRSM. Capt. R.: (recorded on the C.A.M.) "Insp. X.: 'The point is that you've got to play fucking hardball if you expect fucking respect. Get out of the way… dirty thunthufbithes. He went for the bridge + he took it, instead of drinking himself to death watching 2 fucking freebooters jack it up. People called him a spastic paretic, + he was, but he also laid the coordinates for a prettily constructed possible endgame.'" 15. OPRSM. Capt. R.: (recorded on the C.A.M.) "Her rubber Venetian Pink dress covers her legs + a high neck + her arms up to the beginnings of her fingers which almost touch her lips. It rubs her body exactly the wrong way. Atop her head the 2 Strong Orchid Pink fake plastic O O O Os hold a quiet argument about the appropriate time to relinquish one's vanity for integrity, or perhaps vice versa." 16. OPRSM. Capt. R.: (recorded on the C.A.M.) "Repetition: (e.g.) reflections doubles echoes; economic model of the gift/theft; initiates reverse intension/ 2 micro-receptors attached to Capt. R.'s equipage/ w/ its white-bumped close still grip upon Capt. R./ his Yamabushi-equipaged body/ objects of interest/ Capt. R. holds his lt. hand against careful utility belt/ rt. hand against inner rt. thigh/ Yarbois breathes closely/ slowly/ or bringing ugliness to the-/ OOOOO-depicting/ w/ barely extant black hair/ Insp. X. + Dr. C./ The 14. For Orchestra- Symphony of The Desideratum, Op. 612 (03101), The March of The OOOOs XI, Op.46, w/ chorus + organ (16134), a Piano Concerto, Op. 18 (70138), a Violin Concerto in E Flat, Op. 57/ inner metal mechanisms held gracefully w/in it gather the feeble vibrations to their gears/ wires/ rivets/ The DeOOOOfucked's wounded eyes behind clear plastic goggles." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 17. OPRSM. Capt. R.: (recorded on the C.A.M.) "The Winter Monster: 'I wish you the best of success, Captain R. The beginning of a new machine-readable future? Back to you.' I apologized for the glitch. The Winter Monster: 'It's all the same to me.' When this meeting is described later, by other investigators who ask The Winter Monster to recap its conversation w/ me, it will of certain be truncated severely + cut to only the very beginning + the very end of our interview. It was fine, since I had 12 more interviews w/ other monsters to do in the next couple of days anyway. I am not a perfectionist. I believe that perfectionists waste most of their time worrying about details when it's the grand vision which counts + that brings to bear the remainder of our will when our actions have since dropped into the past. This particular incident: For the meet-up $3485. For The Maitri-House information. The 2-Headed Monster "6" key, $25. IF212. 18. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R. 'O O O O O O O O O O O O O O O O O O O O O O?'/ Inspector X. gives the thumbs-up w/ his Black-gloved hand + Captain R. (who if you look real close-like at you might recognize) backs off in both nervousness + excitement. The iron pier extends out into the ocean + the waves crash violently against it + the cold oceanic water hits their eyes bitterly." 18. OPRSM. Capt. R.: (recorded on the C.A.M.) "The Monadic Engine: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O,' etc./ Pianohead looks up at the White ceiling. A Strong Orchid Pink rubber mask covers her nose + borders her anodynistic intent eyes tightly." 19. OPRSM. Capt. R.: (recorded on the C.A.M.) "Captain R. checks his Computational Acetylcholinics Meter for communications from the rocks./ In the film version, Insp. X. is played w/ philosophical seriousness by OOOOO, Dr. M. by some non-actor cult-figure who nevertheless has gots charisma to burn, someone kind of reclusive + above-the-fray w/ a sort of built-in respect-factor." 19. OPRSM. Capt. R.: (recorded on the C.A.M.) "In the high-class comfort of The Aufbauhaus Pianohead sits at the table w/ a drink, waiting w/out purpose, as O O O Os talk on the subject of asparagine, eyes surrounded tightly by rubber mask in high-fashion mold + formed in the shape of 2 Strong Orchid Pink O O O Os atop her head. Suddenly she looks laconically upward into the Whiteness of the ceiling." 20. OPRSM. Capt. R.: (recorded on the C.A.M.) "Y.84: 'C.A.M. to The R265. We went afterward to the pre-eminent m.-type. + everybody was/ come closer' The Various Consequences Of Retaining One's Post: i) mindfulness ii) distinguishment of right + wrong iii) energy + exertion in practice iv) joy concerning the view of the way v) pacification thru the overcoming the passions vi) equanimity vii) freedom from discrimination. The Winter Monster: 'The 2-Headed Monster says it saw it go down, but the perp's outfit disguised them completely.' Capt. R.: 'Yes, I've discussed this w/ it already.' The Winter Monster: 'Hmm, yes, but I do have some information which you might perchance take interest in. Down at the outskirts of MHF near pt. 13 Dr. M. has a little hidden teahouse bungalow. The Maitri-House. Fine design. I once considered residing there myself, but it would be a bit small + restrictive for me." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 21. OPRSM. Capt. R.: (recorded on the C.A.M.) "m909: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O?'/ Pianohead: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ m909: 'O O O O O O O O!'/ Pianohead: 'O O O O O O O O O O O O O O O O O O O O O O O.'/ m909: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ Wheels spinning over the White cement, Pianohead rides her bicycle in The Snowy Fields. 2 metal circles decorate her shoulders + minutely 4 her goggles respectively. Pianohead exclaims in quiet satisfaction as she picks out from the minute mechanical equipment on her utility belt a miniature Black repair book w/ 'KEYS TO THE HIDDEN WORLD' written on it in White letters." 22. OPRSM. Capt. R.: (recorded on the C.A.M.) "Insp. X.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ dx: undetermined determinable determination/ as opp. to ; ~A/ Capt. R./ The Institute of The Defense/ his clear helmet attached to his head w/ 5 stubs/ brightness/ Dr. C.: 'Monadic constructions appear in the form of a system of ideal connections; a system of differential relations between reciprocally determined genetic elements.'/ the concept of the coninuous leads to the over-use of processes of infinite exhaustion as opp. to completion/ of the order of the event/ lets them fall to the ground/ divergent." 23. OPRSM. Capt. R.: (recorded on the C.A.M.) "The Reconstruction(10) Room/ Yarbois' huge white rubber body/ white rubber sutures w/ bows/ delicately maneuvered/(Rin-zai-roku)/ minute reflection/ THE WHITE ROOM. (18)/ moves slowly up-down over the bold slight curves of its imperturbable artificial flesh/ w/ the movement of its breathing/ around the white room/ big lips on our side/ big eyes on their side/ into the empty stillness of the white room/ quiet/ distant/ The Yamabushi vs. The Maenads. Close grip/ w/ a white ribbon at the mid-pt. of the bands just between her 2 weak breasts/ white fake fur snow-bonnet/ + oh-so-blue oh-so-pink white horizontal striped stockings up upper thighs/ to white rubber slippers/ dark dark sleep-deprived eyes/ merging contorting into the forward pushing morphing body of P.II as they push/pull into one another thru the monadic enervated air/ Capt. R. w/ mouth slightly open/ look of horror." 24. OPRSM. Capt. R.: (recorded on the C.A.M.) "The Wire-Haired Girl: "+ I screamed at them in frustration 'White H.!'"/ Pianohead I/ rubber blow-up doll/ w/ her prussian blue hair in 3 circles/ even if/ everblown/ this cold, sterile outpost of all of them provides-/ plastic or not we must continue/ MKO: 'No thank you. I refuse. But Capt. R., we are due, I suppose for a nice little conversation-piece.'/ whereupon/wheretofore/ pinned/stationed/ The background of the snow + I burn + I burn./ The Wire-Haired Girl: '-but still, they insisted on complete ignorance,'/ Pianohead I/ rubber blow-up doll/ in venetian pink weak cobalt blue dress/ whose nervous smile + her confident smile were identical in appearance/ The Wire-Haired Girl: '+ were actually quite sad + mournful upon being told.'/ Pianohead I/ rubber blow-up doll/ in venetian pink weak cobalt blue dress/ w/ her prussian blue hair in 3 circles/ her plastic face's limited vocabulary." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 25. OPRSM. Capt. R.: (recorded on the C.A.M.) "O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Pianohead drags from her cigarette eagerly, + her eye twitches slightly like she can't quite make up her mind where to look/ w/ her bravely shaved coy demeanor holding her head just off the coming Whiteness + O O O Os + hand on her cigarette lips she tries to mesmerize her memories back to life w/ her dark dark eyes, but her powers are too weak. She pulls her arms out nervously + looks upward, balancing herself w/ the wheels' quick movement, distracted, the coming Dark Gray bilobular clouds. The children's song blips in tiny fashion from her radiometers." 26. OPRSM. Capt. R.: (recorded on the C.A.M.) "O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 27. OPRSM. Capt. R.: (recorded on the C.A.M.) "P.I/II/ hollow reverberating white noise pounds the white walls of the room/ Capt. R.'s head/ brusque changes of rhythm/ sudden repetition/ endings/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair/ ranges in its emotional implications from boisterous humor to brooding tragedy/ written in ¾ time/ there is perhaps nothing left/ the whiteness devouring everything/ or perhaps merely everything which is left of Capt. R.'s ignoble overthrown mind/ extrinsic, meaning (again) that the semantic must be separated + dealt with differently than the syntactic/ (again) the avoidance of which was the beginning pt./ Yarbois: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'" 28. OPRSM. Capt. R.: (recorded on the C.A.M.) "*: (thru the C.A.M.) 'There were 18 dimensional pathways by which I came here, to request your cooperation on a matter important to us both.' 2 large rubber-formed umbrellas white w/ black-outline protect Capt. R. + uber-Pianohead from the white pounding light bouncing off the ice-formed ravine/ Capt. R. grimaces. *: (thru the C.A.M.) 'The war which has brought us to this pt. is quite old, Gushamoto.'/ a term applied to its movements/ the repetition of a marked rhythmic figure/ *: (thru the C.A.M.) 'Hmm, you are so small. I- knew this- but-.' (big bellows of air pound against the mini-outpost) 'I'm sorry, but it amuses me.'/ Capt. R./ The DeOOOOfucked w/ 5-circled black hair/ The white light's persistent glare/ white/ clear plastic helmet/ light-reflecting chair/ I set out to rescue The Wire-Haired Girl./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 29. OPRSM. Capt. R.: (recorded on the C.A.M.) "Pianohead: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ he only wakes who casts the world aside/ m909 waits in the air patiently above Pianohead, who stands against the White wall in her Weak Cobalt Blue Oh-So-Pink White suit w/ her hands against her radiometered head./ m909: 'O O O O O O O O O O O O O O O O O O O O O O O O?'/ Pianohead: 'O O O O O O O O O O O O O O O O.'/ Nursery rhyme toy piano music wistfully White cement, a groan bursts from her breast." 30. OPRSM. Capt. R.: (recorded on the C.A.M.) "When it comes to me/ against the white wall/ glaring into my face like the revelation of something important/ the stillness of the white room/ the world may implode in random end-games, so much as I don't end up damnable + disgraced, cold shivering in some distant winter corner for having failed in my duties/ *: (thru the C.A.M.) 'It isn't a war, of course, properly speaking. Or, perhaps it is. But more of an experiment. Or, it began as such. There were no root mutual collidings of interests.'/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair./ *: (thru the C.A.M.) 'Merely the investigation on the part of both sides into what you would refer to as paranormal physical behavioral systems.'" 31. OPRSM. Capt. R.: (recorded on the C.A.M.) "I am a bitter man, a cold man/ Capt. R.'s facial expression was that of a cold cold corpse face-up in a swimming pool. The water in gentle fashion sways back + forth, + its vibrating tense surface reflects the white light in random-full-formed patterns. Capt. R.'s calm confident open demeanor doesn't blink an eye, preoccupied w/ its intense calm. I am not one to doubt my own importance, I was authoritative yet low-key/ there will perhaps be regrettable repercussions. It is slow/ a wedding/ she's holding-./ there's a little gap between their heads + their bodies/ but then at the top their heads sort of merge together in abstracted fusional connection/ u.-P. sits w/ careful composure/ Capt. R./ Capt. R.-/ break off the remembrance/ or the import/ drive it forward into the cold deep end/ black-stubbled/ round-pt.-ed/ numb/ but bitter distant big-eyes." 32. OPRSM. Capt. R.: (recorded on the C.A.M.) "Runway/ u.-P. wears huge billowing skirtage dress/ Insp. X. + Dr. C./ The 14. For Orchestra- Symphony of The Desideratum, Op. 612 (03101), The March of The O O O Os XI, Op.46, w/ chorus + organ (16134), a Piano Concerto, Op. 18 (70138), a Violin Concerto in E Flat, Op. 57/ THE WHITE ROOM. (18)/ the coldly burning white light behind The DeOOOOfucked in the white chair frames his black hair in exaggerated contrast bold dark outline + he stares w/out resonance at Insp. X. in calm expectation/ *: (thru the C.A.M.) 'Our civilization's structures had become refined to a pt. where there was little to interest us beyond the driving force of economic efficiency. It turned out that there were 4 defining attributes of material existence in addition to the conservative derivation of energy, mass, light, + time; these 4 being the negative attributes, so to speak, of the 1st 4.'." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 33. OPRSM. Capt. R.: (recorded on the C.A.M.) "But she is still + calm/ diminishing perhaps but un-erasable/ fashionabushi/ just do it/ OK/ cold/ machine-refined/ u.-P.: 'Do you really-? Oh, yes.'/ what was her name?/ but that's really just pure idle speculation/ boredom/ w/ a white ribbon at the mid-pt. of the bands just between her 2 weak breasts/ white fake fur snow-bonnet/ + oh-so-blue oh-so-pink white horizontal striped stockings up upper thighs/ to white rubber slippers/ dark dark sleep-deprived eyes/ *: (thru the C.A.M.) 'Humor me. Of course, the use of the term "negative" is problematic. Which is to say no more than the fact that the idea of it being problematic is itself problematic. Which is to say, the idea of-. Of course, that's not the pt. The pt. is the 8 pts. of material existence generated repercussions which were disturbing to us. But this was short-sighted. Or not. The void of victory besets us all.'" 34. OPRSM. Capt. R.: (recorded on the C.A.M.) "*: (thru the C.A.M.) 'Not just you, Capt. R.'/ Capt. R.: 'Crawl/ my aim. The Middle Way has now entered upon us.'/ OK./ *: (thru the C.A.M.) 'The obvious conclusion would have been that investigations into the root causes of this development would be called for, but instead the big booming battle inclinations were victorious.'/ inner metal mechanisms held gracefully w/in it gather the feeble vibrations to their gears/ wires/ rivets/ The DeOOOOfucked's wounded eyes behind clear plastic goggles/ *: (thru the C.A.M.) 'The drive to war is an intimate, but discreet need in all of us Capt. R. The naïve humble refusal which strives to make you believe in your own particular individual identity is crap. You're not some miniature existence in the vast independent structure of the universe, Capt. R. If everything is connected, Capt. R., then- it is time perhaps Capt. R.'/ OK." 35. OPRSM. Capt. R.: (recorded on the C.A.M.) "Because The Wire-Haired Girl's rescue + her protection were more complex than I realized/ of their underground movement, whispers back to her/ no more swimming pools this time/ the qingbai coldness/ decorous/ white rubber slippers/ uber-Pianohead wears black multi-strapped huge billowing skirtage dress/ white rubber décolletage covered upper bodied contortion/ duplication + overlapping until the error is caught/ rock you like a hurricane, darling/ intent conscientiously on his task of Defending the Universe/ anticholinolytic/ was she celebrated in her own time?/ qingbai pinstripes/ w/ 4 white ribbons at the mid-pt. of the bands just between her 2 bulbous breasts/ white fake fur snow-bonnet/ oh-so-blue oh-so-pink white horizontal striped stockings up fatty-fat upper thighs/ to white rubber slippers/ dark dark sleep-deprived eyes/ huge cheeks + eyes/ sunken fat-filled jowls." 36. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R. sits in his white plastic chair w/ a sense of calm overlooking the ravine-filling mass of the * w/ it's 3 blue contortion-muscled balls/ in calm expectation/ cold/ weightless/ the clear plastic contours of the chair/ supple lips/ *: (thru the C.A.M.) 'We formed messages to attempt to establish communication, but we quickly realized that the power of the effect derived from the purely formal structure of the missives + abandoned the communicative aspect of the project as unnecessary. It seemed we could force them back into their proper confines.'/ Capt. R.: 'What kind of messages were you receiving?'/ *: (thru the C.A.M.) 'We don't know. Our researches have left us unable to decode them.'/ the reverberating air pounds against him vigorously/ Capt. R./ The DeOOOOfucked w/ 5-circled black hair/ The white light's persistent glare/ white/ clear plastic helmet/ light-reflecting chair." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 37. OPRSM. Capt. R.: (recorded on the C.A.M.) "The interior of the mini-outpost/ grotesquerie-reflected glass images/ the contorted ice fields/ the ravine/ the mountain/ against the white white light/ radiant/ pounding the mountain's morning thawed-out water-particled air/ wind-swept beat/ the coldly burning white light/ Capt. R.'s body, at this pt., had already experienced some misformations, some outgrowths, though they were of a minor nature/ Capt. R.: 'Yes.'/ no regrets regarding my actions/ I wasn't going to barter for a philosophical yet charismatic mind if it came w/ an equal dose of madness/ *: (thru the C.A.M.) 'Yes, we went completely imagistic with it. + that's when it started. What you have to understand is that this was not just your average typical construction, it's an uncanny phenomenon, unrivaled in the purely radiant power of its composition.'/ no matter how mathematically adept I might've become as a result." 38. OPRSM. Capt. R.: (recorded on the C.A.M.) "*: (thru the C.A.M.) 'None of the attempts was a match for the unique intensity of the counter-effects.'/ u.-P.: 'It's over now.'/ *: (thru the C.A.M.) 'There were exceptions- we re-worked this idea from the inside, engineered the construction to implode upon itself + actually derive its effect backwards + looked for other examples of material entities for which this might be the case- it turned into a full-blown war before we were aware battles had been fought, the destruction being evident only in ways we weren't prepared to account for.'/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair/ *: (thru the C.A.M.) 'We were under the understanding that we were in the push/pull phase.'/ OK." 39. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'The Defense of The Princess is as much about guarding them as protecting them, something I understand only now.' The white light bouncing of the ice-filled ravine of Mt. Amnesiac made everything so clear to me/ this had become a violent opposition/ perhaps The Maenads were correct. u.-P.: 'Come closer.' Something seemed to be pulling her upward/ some kind of force opp. to + stronger than gravity/ but perhaps it was my imagination/ a bit of a fucker/ against the white contours/ Capt. R.'s cold aching body in white fake-fur mini-coat/ white fake-fur snow-bonnet, large black round goggles framing his black-stubbled face/ chapped lips eating themselves/ numb frigid-muscled tongue/ cobalt blue cadmium red white horizontal striped stockings to white rubber adidas slippers/ black rubber gloved hand bringing white porcelain teacup to his lips." 40. OPRSM. Capt. R.: (recorded on the C.A.M.) "But he thinks better of it + sets it on the metal reflective-contoured mini-table/ everything was hidden from me/ (Rin-zai-roku)/ minute reflection/ Capt. R./ The Institute of The Defense/ his clear helmet attached to his head w/ 5 stubs/ brightness/ the clear polymeratomic chair/ expectation/ silence/ w/ barely extant black hair/ Insp. X. + Dr. C./ The 14. For Orchestra- Symphony of The Desideratum, Op. 612 (03101), The March of The O O O Os XI, Op.46, w/ chorus + organ (16134), a Piano Concerto, Op. 18 (70138), a Violin Concerto in E Flat, Op. 57/ THE WHITE ROOM. (18)/ the coldly burning white light behind The DeOOOOfucked in the white chair frames his black hair in exaggerated contrast bold dark outline + he stares w/out resonance at Insp. X. in calm expectation/ *: (thru the C.A.M.) 'Our difficulty arises from the fact that we began to win the war.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 41. OPRSM. Capt. R.: (recorded on the C.A.M.) "Captain R. + C. walk down a deserted city street, White walls surround them blankly at all turns. Captain R. in Black + White vertically striped knickerbockers + White + Black Yamabushi equipage. Captain R. has made out for each of them a miniature decorated bottle Weak Brilliant Pink pattern on White filled w/ White tea. They are both quite fond of tea./ Capt. R.: 'Ganbarre-yo.'/ C.: 'Ganbarre-yo.'/ Capt. R.: 'The P.14 Meter. 1) Pure hierarchical methods impose a taxonomical structure on the data, which is more characteristic of biological + social science data than of satellite data. 2) Pure hierarchical methods are not appropriate for complex data. 3) Pure hierarchical methods are more appropriate for data to be partitioned./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'" 42. OPRSM. Capt. R.: (recorded on the C.A.M.) "Super-swooped to her rt./ At the bottom of The Kaon! Mtns. en route to The City of Idioperception is The City of The Wedding Portrait, in which is contained The Ex-Cathedra + The Rock Garden/ MKO/ The Giant Head (The Director of Radiant Pts.): large fake plastic head w/ 5 eyes/ 5-circled black round-rimmed eyeglasses/ The background of the snow + I burn + I burn./ The background of the snow + I burn + I burn./ staring deep into my stomach entrail area/ MKO w/ dark mascara-ed eyes/ The background of the snow + I burn + I burn./ super-round distinct corneas up-arched/ many-contoured/ ears tucked close to the side of the head/ lt. side of mouth upcurled/ circle-defined smile/ cocks head slightly to the rt./ our aim was not to reenact scenes from The Great Horror/ we took particular pts. that captured a moment/ using them/ pts. for tableaux to demonstrate these proofs." 43. OPRSM. Capt. R.: (recorded on the C.A.M.) "White light reflects inconsistently off Captain R.'s White polymeratomic armor./ Capt. R.: 'There's a bit of a chic coziness to it.'/ C.: 'I'll take a formalist structure method any day. The odds of hitting upon the correct construction-structure are negligible. What is it statisticians say?: "The more the fucking merrier.'" Granted there's a subtle + delicate distinction to the underhanded method, more high class.' C./ O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 44. OPRSM. Capt. R.: (recorded on the C.A.M.) "C.: 'Upgrade your personal domain, 25 ways: i) Up to him. ii) Having 2 radios on can be advantageous sometimes. iii) Message otherwise. iv) You can't always be listening to everything at once. v) But when there's something notable you must notice it. vi) Clustering. vii) Either hierarchical or partitional. viii) The iron cast door. ix) Don't get caught mid-dress in white blue + red boxers. x) O. xi) 2 black boots. xi) + a white stocking but not its match. xii) Don't give in to the desire to say, 'God-damn-it, where is my god-damn stocking?' xiii) Don't hop around with the white walls closing in on you. xiv) Pull. xv) Produce a fruit only under certain circumstances. xvi) When it is ripe let it fall. xvii) Responsible. xviii) Conditioned by a volitional response. xix) The direction determined by the effect of deed. xx) The effect of the action is necessarily one or more rebirths. xxi) The cycle of existence.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 45. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'Tomorrow we can celebrate w/ vodka, for it is my birthday. + we can talk until dawn, fail to shoot ourselves, etc. But for now I believe we should be respectful of the task before us.'/ Capt. R./ The DeOOOOfucked in a white uniform/ a clear polymeratomic mechanical chair in a white room/ clear blank-masked head-piece wired to the chair/ covers his face/ strapped tight around his head/ oh-so-carbonaceous black 5-circled hair./ Capt. R.: 'The ominous foreboding of our own particular motives in this venture. *, I question, perhaps, why you have brought this query to me, only in the regard that, perhaps I, too, am ready for this whiteness.'/ w/ barely extant black hair/ Insp. X. + Dr. C./ The 14. For Orchestra- Symphony of The Desideratum, Op. 612 (03101), The March of The O O O Os XI, Op.46, w/ chorus + organ (16134), a Piano Concerto, Op. 18 (70138)." 46. OPRSM. Capt. R.: (recorded on the C.A.M.) "C.: 'xxii) The intention of the action. xxiii) Good deeds bring rewards. xxiv) The deeds do indeed determine the manner of rebirth but not the actions. xxv) Provides the situation, not the response to the situation.'/ Captain R. wears Black + White horizontally striped stockings + 3-circled Mars Black head-gear w/ goggles + purses his lips. O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 47. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: (mumbling quickly) 'BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM BUM.'" 48. OPRSM. Capt. R.: (recorded on the C.A.M.) "Yarbois: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ the short stubbles of black hair caressing his gentle head w/ cold fingers/ Megalomartyros/ fall to the ground/ The White Room/ iii) Capt. R.: (whispered) 'The observing Capt. R., objective, looked w/ disbelief/ my god-/ the fucking horror of it/ then style/ everything she touches turns to diamonds/ information.'/ Capt. R./ The DeOOOOfucked w/ 5-circled black hair/ The white light's persistent glare/ white/ clear plastic helmet/ light-reflecting chair." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 49. OPRSM. Capt. R.: (recorded on the C.A.M.) "C.: 'The question was raised about the nature of physical space. Do lines + figures in physical space obey the theorems?'/ C. connoiters down the White walkway inspecting the walls closely + you shall go to the ball: Cinderellas/ ash-girls/ smoke-babes coked out White White White struggle w/ their shoes on the floor screaming w/ hands to the head/ glass baby glass baby/ bitch to run down the steps screaming laughing/ pretty dresses pretty dresses./ Capt. R.: 'O O O O O O O O O O O O.'/ C.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'" 50. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R. rolls his eyes questioningly pushing his hand against his face./ Capt. R.: (w/ the utmost cynicism) 'O O O O O O O O O O O O!'/ Captain R.'s head has reached the point at which infinitely imploding vibrations become complete stillness. He appears weary. His calm is perhaps more violent than one might guess, though, as if he has forced himself to contain the strength to prevent the nirodha-dispersion of his own body. On the other hand, perhaps he wins this point only because C.'s attention is diverted. Captain R. closes his eyes + then opens them. 'What is the potential of the human psyche?' This was the topic of one of the speakers at the last conference he attended. It disturbed him, as a professional matter. Of course the potential of any given entity is unlimited. Limitations of any kind, in any open system, are inherent + self-defined but that doesn't make it fucking so." 51. OPRSM. Capt. R.: (recorded on the C.A.M.) "From Captain R.'s C.A.M. II emits quietly 'The Illest Villains/ Accordion.'/ C.: 'Dr. P attempted Chinese boxes. Modernized to keep pace with urban growth. The first modern tunnel system was excavated under The Snowy Fields to keep pace with monadic circulation guidance. It took nearly 15 years to excavate + complete, despite a total outlay of distance equal to only 4000 m. Today a modern tunneling machine, such as that used on the K2-Extension, could have completed it in merely 65 days. Just when we think the world is a better place for the underground monadic chambers, we are reminded of the overcomplications, poor efficiency, + regular breakdowns in places where it has been operational since before The Antebellum. The original system size, control platforms, + intervals are unable to cope with the demands of monadic manipulation today.'" 52. OPRSM. Capt. R.: (recorded on the C.A.M.) "I watched my 2 doubles perform these events/ head-blown/ more guns please/ The background of the snow + I burn + I burn./ small iron circular knobs on each of the vertices/ in repeated pattern/ white revolvers/ The Anti-Capts. lip-smacked/ grim/ stubble-whiskered/ The background of the snow + I burn + I burn./ The background of the snow + I burn + I burn./ black rubber ½-masks/ The background of the snow + I burn + I burn./ MKO: 'Repose. Bring all the whiteness into you/ to bear.'/ Underneath the various weight of plotted out information regarding effects/ The Ex-Cathedra was designed as a base for 20 rockets which were intended for use in a plan of universe-exploration/ double-effects, so on. I chose the Captain R. that looked more like myself/ formed 400 years previous but never implemented/ 70-47: Vacant. 74-96: Vacant. for reasons which remain, at this time, mysterious." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 53. OPRSM. Capt. R.: (recorded on the C.A.M.) "OK/ a Violin Concerto in E Flat, Op. 57/ THE WHITE ROOM. (18)/ the coldly burning white light behind The DeOOOOfucked in the white chair frames his black hair/ the clear polymeratomic chair/ expectation/ silence/ in exaggerated contrast bold dark outline + he stares w/out resonance at Insp. X. in calm expectation/ Capt. R.: 'When sides are chosen, + boundaries are formed, my role will become more clear in this, but for the moment it remains indeterminate.'/ the white contours of Mini-YK Oupost74 bounce the white light off indirectly in multiple directions, against the rock-ice walls of Mt. Amnesiac/ the approaching bulbous white clouds/ its weak oh-so-blue fluorescent light radiating out thru glass walls from its heart-beating interior/ I smiled, in a I-give-up kind of way, against my black-stubbled face/ OK/ 5 metal optic tubes attached to the ceiling/ OK." 54. OPRSM. Capt. R.: (recorded on the C.A.M.) "C.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O?'/ + no matter how much he dips his head, refrains from looking at his C.A.M. II, + drops a few drops in the tea, Captain R. must admit to himself that this is correct, but it will not slow down + Captain R., our reluctant anti-hero, has discovered in unfortunate certainty that it never will, despite his attempts to out-run it into exhaustion. Captain R. + C. walk past the ornately organized White cement walls, 2 rows of small White-OOOOOed dogwood trees which are still kind of establishing their full stature, on a cement walkway + C. hopes indifferently for splendors in Black + White courier uniform Black square hat. C.'s White sleeves end just after his shoulder, 4 inches from his rubber Black gloves." 55. OPRSM. Capt. R.: (recorded on the C.A.M.) "White rubber slippers/ uber-Pianohead wears black multi-strapped huge billowing skirtage dress/ white rubber décolletage covered upper bodied contortion/ qingbai pinstripes/ Capt. R.: 'But for now, let our guards down for a moment.'/ into the empty stillness of the white room/ quiet/ distant/ w/ 4 white ribbons at the mid-pt. of the bands just between her 2 bulbous breasts/ white fake fur snow-bonnet/ The 5 Agents/ Insp. X./ Capt. R./ graceful androgynous body/ delicate eyes/ calm expectation/ + there it went, or goes. Power would become the defining characteristic of our following moves/ white rubber slippers/ uber-Pianohead picked her white paper fan w/ white plastic architecture/ white super-red mint green pattern of controlled deviation/ closed, brace w/ white rubber strap w/ white round clasp/ Capt. R./ the clear polymeratomic head-piece metal straps from the dull unreflecting helmet." 56. OPRSM. Capt. R.: (recorded on the C.A.M.) "Pianohead VIII [square-patterned pantsuit/ mars yellow/ black white/ oh, for her sailor/ to arrive/ there w/ her despair she crumbles to nothing/ run run run run run run run run/ questioning/ questioning/ once again/ 3-circled prussian blue hair/ rubber rubber blow-up doll/ AKA The Head-Machine]/ I stared at my fingers/ crushing themselves quietly/ there it all goes/ in the boom-boom-boom/ everything begins exploding vigorously/ I did this/ there in my mind/ but it didn't stop/ + it doesn't stop/ + it doesn't stop/ boom-boom-boom/ The background of the snow + I burn + I burn./ so achingly pretty/ wonderful/ oh-my-god/ the white/ there it goes/ everything exploding/ there it goes/ everything exploding/ oh god, Capt. R./ Pianohead II [qingbai hair in 4 delicately sculpted fibromas/ dress bare-shouldered dark dark eyes sextuplet-circle-pattern on white w/ bold outline/frills]." YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 57. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.'s visit to MKO/ The Giant Head (The Director of Radiant Pts.): large fake plastic head 6 m. in height/ neck attached by bolts to the glass floor/ in The o Courtyard/ The Ex-Cathedra/ + there all the might of the victory fell upon me/ there in the whiteness. But in fact we arranged for the background music to be a bit sappy-sweet/ large-eyed/ Capt. R. sat motionless on white porcelain box-pillow looking up at it/ it was so still/quiet/slow-moving that the snow hit me like hammer-blows boom- boom- boom- boom- boom- boom- boom- boom- boom- Capt. R. touches his lips/ Dr. M. sneaked a peek over at Pianohead/ many stringed, cute, a bit too much prettiness for its own good/ Capt. R.: 'Why did Mr. I. design you like that? Don't you find yourself to be in a rather ridiculous position?'/ MKO: 'Is this the part where you get weepy + sentimental?'/ Capt. R.: 'I make no excuses.'" 58. OPRSM. Capt. R.: (recorded on the C.A.M.) "C.: 'O O O O O O O O O O O O?'/ Capt. R.: 'O O O O O O O O O O O O?'/ C.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ + C. smiles, quite pleased w/ himself. Captain R. + C. walk thru the White cement walls + courtyards passing the occasional Black 216. Captain R. smiles to himself + laughs at their high-jinks. 'Psycho-Killer' drifts out his 1/10-volumed C.A.M. II amusingly, "q'est que c'est." It's a good day to be out PT Cruising, he comments good-naturedly to himself. They walk up to the courtyard of Hospital-418. The courtyard is decorated by a nice sparse 5-colored mini-garden out front of O O O O: O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 59. OPRSM. Capt. R.: (recorded on the C.A.M.) "Yarbois: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ Capt. R.: 'O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O.'/ 5 metal optic tubes attached to the ceiling/ The 5 Agents/ Capt. R.'s mouth turns against itself/ the clear rubber mask over 5-circled oh-so-carbonaceous hair/ big round eyes/ numb pursed lips/ I'd hoped that Yarbois/ The Winter Monster, at least/ would hold its pt. of defense/ in calm expectation/ cold/ weightless/ the clear plastic contours of the chair/ supple lips." 60. OPRSM. Capt. R.: (recorded on the C.A.M.) "Capt. R.: 'O O O O O O O O O O O O 123…'/ Captain R. + C. in Black + White vertically striped knickerbockers + White + Black Yamabushi equipage + Black + White courier uniform w/ Black square hat, respectively, waltz thru the expanse of antique modern building architecture walking real deviant-like style + Captain R.'s circle goggles against the White-tinted morning-time light express effectively his voluptuous univalence. Captain R. shrugs one shoulder suggestively. C.: 'We considered it a move with the height of integrity + respect. Where- we wanted to be bold. It was-. It was quite complicated. Even today some amount of sophistication is required to ask whether we have a clear notion of what could be done to find out whether physical space has certain geometrical properties.'" YAMABUSHI No.01: (MONOGURUI/ DR. M. VS. CAPT. R.) 61. OPRSM. Capt. R.: (recorded on the C.A.M.) "O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O." 62. OPRSM. Capt. R.: (recorded on the C.A.M.) "O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O